Having given a brief introduction to the Pontifical Institute, I am now able to properly do a brief post on their star attraction: their Shroud of Turin exhibit. This well-known bit of history is said to be the burial cloth of Jesus himself, and has inspired millions over the years. That said, where did it come from, and how? What can be learned from its fabric, torn over the years and even partially burned in a cathedral fire during the Renaissance? This exhibit has relied on some of the newest applications of science to try and answer this question: as a brief sample, did you realize that of the remnants of flower pollen found on the Shroud, at least half of them only originate within one day’s journey from Jerusalem? This and many other panels make up the majority of the exhibit – the pièce de résistance is easily worth the trip to the Institute. That feature is one of 3 holographic reproductions of the Shroud that exists in the world (being multiple millions of US dollar apiece), and it is truly breathtaking. The Shroud’s most inexplicable property is that it is somehow a 2D representation of a 3D figure, yet if the shroud had actually been lain over a body, the final image would have been distorted beyond recognition. This in turn has allowed them to construct those holographic plates, and that in turn allowed a VERY skilled sculptor to fashion a sculpture of the figure depicted. I don’t know if that is Jesus, and I don’t know how to explain any of the Shroud’s properties or its origin, but I can tell you it makes everyone who goes and sees the display very introspective on their departure. Myself included. I would say this slideshow is worth reading through slowly, for those interested parties.
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